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  1. 1
    por Campos, Patrick F.
    Publicado 2016
    Libro

    The end of national cinema Filipino film at the turn of the century
  2. 2
    por Campos, Patrick F.
    Publicado 2016
    Libro

    The end of national cinema Filipino film at the turn of the century
  3. 3
    por Campos, Patrick F.
    Publicado 2016
    Libro

    The end of national cinema Filipino film at the turn of the century
  4. 4
    por Campos, Patrick F.
    Publicado 2013
    Enlace del recurso
    Analytics

    Early cinema history and the emergence of "Filipino" film [review of ] Cine Spanish influences on early cinema in the Philippines (2003)
  5. 5
    por Campos, Patrick F.
    Publicado 2013
    Enlace del recurso
    Analytics

    Early cinema history and the emergence of Filipino film [review of ] Film American influences on Philippine cinema (2011)
  6. 6
    por Campos, Patrick F.
    Publicado 2011
    Tesis

    Adaptation criticism of screen Rizal as metacriticism
  7. 7
    por Campos, Patrick F.
    Publicado 2009
    Enlace del recurso
    Analytics

    The fantasy-adventure films as contemporary epics, 2000-2007
  8. 8
    Tesis

    The sense and sensation of cinema a material history of early film writings in the Philippines
  9. 9
    Tesis

    Locating the Davao film culture
  10. 10
    Analytics

    Ishmael Bernal's Manila by night as thirdspace
  11. 11
    Analytics

    Looming over the nation locating Mike de Leon in Philippine cinema
  12. 12
    Analytics

    Kidlat tahimik, or the determination of a native filmmaker
  13. 13
    Analytics

    Cinemalaya and the politics of naming a movement
  14. 14
    Analytics

    Intersections of the local and global film cultures in new urban realism
  15. 15
    Analytics

    Rural landscapes and the formation of a national cinema
  16. 16
    Analytics

    Enteng Kabisote as filmic folklore
  17. 17
    Analytics

    Memories of the Philippine-American War and the end of cinematic experimentation
  18. 18
    Analytics

    Ghostly allegories haunting as constitution of (trans)national (cinema) history
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