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  1. 1

    Tadek di e-Sabangan an expression of the people of Sabangan’s cultural identity and heritage through Takik and Tallibeng indigenous dances door Talangchey, Jessica C.

    Gepubliceerd in Philippine Journal of Science (2023)
    Artikel

    Tadek di e-Sabangan an expression of the people of Sabangan’s cultural identity and heritage through Takik and Tallibeng indigenous dances
  2. 2

    Sounding movement extrinsically and intrinsically an ethno-choreomusicological analysis of Tarirai among the Bajau Laut in Semporna, Sabah door Santaella, Mayco

    Gepubliceerd in Musika Jornal (2016)
    Artikel

    Sounding movement extrinsically and intrinsically an ethno-choreomusicological analysis of Tarirai among the Bajau Laut in Semporna, Sabah
  3. 3

    Sibod ideology and expressivity in Binanog dance, music, and folkways of the Panay Bukidnon [Book Review] door Gowey, David

    Gepubliceerd in Musika Jornal (2016)
    Artikel

    Sibod ideology and expressivity in Binanog dance, music, and folkways of the Panay Bukidnon [Book Review]
  4. 4

    Ngoma a meta-analysis of its meaning in published works and among the Wagogo of Central Tanzania door Mapana, Kedmon

    Gepubliceerd in Musika Jornal (2016)
    Artikel

    Ngoma a meta-analysis of its meaning in published works and among the Wagogo of Central Tanzania
  5. 5

    Igal dance and kulintangan music in urban spaces the case of the Sama Bajau of Baranggay 704, Dakota, San Andres, Manila door Santamaria, Matthew Constancio Maglana

    Gepubliceerd in Musika Jornal (2015)
    Artikel

    Igal dance and kulintangan music in urban spaces the case of the Sama Bajau of Baranggay 704, Dakota, San Andres, Manila
  6. 6

    From Tortillier to Ingsud-Ingsud creating new understandings concerning the importance of indigenous dance terminology in the practice and kinaesthetics of the Sama Igal dance tr... door Santamaria, MCM

    Gepubliceerd in Asian Studies (2013)
    Artikel

    From Tortillier to Ingsud-Ingsud creating new understandings concerning the importance of indigenous dance terminology in the practice and kinaesthetics of the Sama Igal dance tradition

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