00000cam a22000004i 4500 UP-99796217613924624 Buklod 20211207223952.0 a r |||| u| ta 211207s2018 xx d r |||| u| 9781350017290 (iLib)UPD-00533071760 EYM DCAL rda eng DMLUC PR 2997 T5 T46 2018 Temporality, genre and experience in the Age of Shakespeare forms of time edited by Lauren Shohet. London, UK Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc 2018. xiv, 328 pages illustrations 21 cm. text rdacontent. unmediated rdamedia. volume rdacarrier. The Arden Shakespeare. Includes bibliographical references (pages 261-312) and index. Introduction: forms of time / Lauren Shohet -- Shakespeare's theatre of comic time / Kent Cartwright -- Suspense revisited: the shared experience of time / Raphael Falco -- 'In the course and process of time': rupture, reflection and repetition in Henry VIII / Philip Lorenz -- Is Henry V still a history play? / Andrew Griffin -- Allusion, temporality and genre in Troilus and Cressida and Pericles / Lauren Shohet -- Love's Labour's Lost and the layered temporality of poetic reception / Matthew Harrison -- Timing The Knight of the Burning Pestle: genre, style and performance / Lucy Munro -- Time, tragedy and the text of Antony and Cleopatra / Rebecca Bushnell -- 'The death of fathers': succession and diachronic time in Shakespearean tragedy / William C. Carroll -- Passionate time in Elizabeth Cary's The Tragedy of Mariam / Lara Dodds -- Future histories in King Lear / Meredith Beales -- From Last Judgement to Leviathan: the semiotics of collective temporality in Early Modern England / Robin S. Stewart -- Cymbeline, Janus and folded time / Valerie Wayne. Focusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality. Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today. Shakespeare, William 1564-1616 Criticism and interpretation. English drama Early modern and Elizabethan, 1500-1600 History and criticism. Time in literature. Time perception in literature. Criticism, interpretation, etc. Shohet, Lauren editor. FO UPD DCAL PR 2997 T5 T46 2018 Book