<?xml version="1.0" encoding="UTF-8"?>
<collection xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd" xmlns="http://www.loc.gov/MARC21/slim">
 <record>
  <leader>00000cam a22000004i 4500</leader>
  <controlfield tag="001">UP-99796217613906282</controlfield>
  <controlfield tag="003">Buklod</controlfield>
  <controlfield tag="005">20220826084127.0</controlfield>
  <controlfield tag="006">a     r    |||| u|</controlfield>
  <controlfield tag="007">ta</controlfield>
  <controlfield tag="008">211117s        xx     d     r    |||| u|</controlfield>
  <datafield tag="020" ind1=" " ind2=" ">
   <subfield code="a">9780199663941</subfield>
  </datafield>
  <datafield tag="035" ind1=" " ind2=" ">
   <subfield code="a">(iLib)UPD-00531971950</subfield>
  </datafield>
  <datafield tag="040" ind1=" " ind2=" ">
   <subfield code="a">YDX</subfield>
   <subfield code="d">DCAL</subfield>
   <subfield code="e">rda</subfield>
  </datafield>
  <datafield tag="041" ind1=" " ind2=" ">
   <subfield code="a">eng</subfield>
  </datafield>
  <datafield tag="042" ind1=" " ind2=" ">
   <subfield code="a">DMLUC</subfield>
  </datafield>
  <datafield tag="090" ind1=" " ind2=" ">
   <subfield code="a">PG 2951</subfield>
   <subfield code="b">K34 2018</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
   <subfield code="a">Kahn, Andrew</subfield>
   <subfield code="e">author.</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="2">
   <subfield code="a">A history of Russian literature</subfield>
   <subfield code="c">Andrew Kahn, Mark Lipovetsky, Irina Reyfman, Stephanie Sandler.</subfield>
  </datafield>
  <datafield tag="246" ind1="3" ind2="0">
   <subfield code="a">Russian literature.</subfield>
  </datafield>
  <datafield tag="250" ind1=" " ind2=" ">
   <subfield code="a">First edition.</subfield>
  </datafield>
  <datafield tag="264" ind1=" " ind2="1">
   <subfield code="a">Oxford, United Kingdom</subfield>
   <subfield code="b">Oxford University Press</subfield>
   <subfield code="c">[2018].</subfield>
  </datafield>
  <datafield tag="300" ind1=" " ind2=" ">
   <subfield code="a">xvi, 939 pages, 16 unnumbered pages of plates</subfield>
   <subfield code="b">illustrations (some color)</subfield>
   <subfield code="c">26 cm.</subfield>
  </datafield>
  <datafield tag="336" ind1=" " ind2=" ">
   <subfield code="a">text</subfield>
   <subfield code="2">rdacontent.</subfield>
  </datafield>
  <datafield tag="337" ind1=" " ind2=" ">
   <subfield code="a">unmediated</subfield>
   <subfield code="2">rdamedia.</subfield>
  </datafield>
  <datafield tag="338" ind1=" " ind2=" ">
   <subfield code="a">volume</subfield>
   <subfield code="2">rdacarrier.</subfield>
  </datafield>
  <datafield tag="504" ind1=" " ind2=" ">
   <subfield code="a">Includes bibliographical references and index.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
   <subfield code="a">Cover; A History of Russian Literature; Copyright; Contents; Note on the Text; Dates; Translations; List of Abbreviations; List of Figures; List of Plates; Acknowledgments; Introduction; The shapes of literary history; The contexts of Russian literary history; The scope and shape of the History of Russian Literature; Part I. The Medieval Period; Introduction: Defining the medieval; 1. Institutions and contexts: Writing and authorship,1100-1400; A new language for a new people: Old Church Slavonic; Monastic writing: Translation, open boundaries, and selectivity.</subfield>
  </datafield>
  <datafield tag="505" ind1="8" ind2=" ">
   <subfield code="a">The limits of the literary system: Rhetoric, compilation, and genreThe meaning of readership; Scribal culture and the author function; Literary identity: Collective writing and singularity; Case study: The Voyage of Afanasy Nikitin: Self and other; 2. Holy Rusâ: Landmarks in medieval literature; Founding stories: The Primary Chronicle; Case study: The bylina and Russia's magical kingdom; The sermon: Ilarion and the chosen people of Kiev; The prayer: Daniil Zatochnik; Hagiography as life-writing; Saints alive; Hagiographic collections; Founders and Holy Fathers: The example of St. Feodosy.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
   <subfield code="a">Miracle workers, the Virgin, and holy foolsCase study: The holy fool in the modern tradition; Ilarion redux: The fifteenth-century elaboration of hagiography; Keyword: Word-weaving; 3. Local narratives; Unhappy families: The trauma of invasion; The Lay of Igor's Campaign and the princely image; Case study: National identity, medievalism, and the discovery of the Lay of Igor's Campaign; Narratives of invasion; Catastrophic narratives: Defending Holy Russia; From Grand Prince to Tsar, 1200-1565: Elevation through charisma; Vladimir Monomakh; Alexander Nevsky; Dmitry Donskoi.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
   <subfield code="a">Ivan the Terrible: Tsardom and the absolutist &quot;I&quot;Center and periphery and the localism of the Tale of Petr and Fevronia; Conclusion; Part II: The Seventeenth Century; Introduction: The problem of transition and a new approach; 1. Paradise lost: National narratives; Narratives from the Time of Troubles to the Schism (1613-82); Visions of salvation; Case study: Dukhovnye stikhi (poetic songs or spiritual rhymes); Literature of the Schism (Raskol); Case study: The Life of Archpriest Avvakum.</subfield>
  </datafield>
  <datafield tag="505" ind1="0" ind2=" ">
   <subfield code="a">2. Cultural interface: Printing, Humanist learning, and Orthodox resistance in the second half of the seventeenth century3. Court theater; Keyword: Baroque; 4. Poets; New expressions and techniques; Paradise regained: Simeon Polotsky's poetic garden; Friendship; Mortality; 5. Prose; Popular fiction for a disrupted age: Social satire or literary fantasy?; Petrine novellas and fantasy fiction; Conclusion; Part III: The Eighteenth Century; Introduction: The innovation of the eighteenth century; 1. Defining classicism: The canons of taste; Keyword: Russian classicism.</subfield>
  </datafield>
  <datafield tag="520" ind1="8" ind2=" ">
   <subfield code="a">Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. This volume provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life.</subfield>
  </datafield>
  <datafield tag="650" ind1=" " ind2="0">
   <subfield code="a">Russian literature</subfield>
   <subfield code="x">History and criticism.</subfield>
  </datafield>
  <datafield tag="655" ind1=" " ind2="0">
   <subfield code="a">Criticism, interpretation, etc.</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
   <subfield code="a">Lipovetsky, Mark</subfield>
   <subfield code="e">author.</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
   <subfield code="a">Reyfman, Irina</subfield>
   <subfield code="e">author.</subfield>
  </datafield>
  <datafield tag="700" ind1="1" ind2=" ">
   <subfield code="a">Sandler, Stephanie</subfield>
   <subfield code="e">author.</subfield>
  </datafield>
  <datafield tag="842" ind1=" " ind2=" ">
   <subfield code="a">Book</subfield>
  </datafield>
  <datafield tag="905" ind1=" " ind2=" ">
   <subfield code="a">FO</subfield>
  </datafield>
  <datafield tag="852" ind1="0" ind2=" ">
   <subfield code="a">UPD</subfield>
   <subfield code="b">DCAL</subfield>
   <subfield code="h">PG 2951</subfield>
   <subfield code="i">K34 2018</subfield>
  </datafield>
  <datafield tag="942" ind1=" " ind2=" ">
   <subfield code="a">Book</subfield>
  </datafield>
 </record>
</collection>
