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   <subfield code="a">&quot;Originally published in hardcover by Little, Brown and Company, September 2006&quot;--Title page verso.</subfield>
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   <subfield code="a">&quot;10th anniversary edition , featuring five new tools&quot;-- Front cover.</subfield>
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   <subfield code="a">Part one: NUTS AND BOLTS: Begin sentences with subjects and verbs -- Order words for emphasis -- Activate your verbs -- Be passive-aggressive -- Watch those adverbs -- Take it easy on the -ings -- Fear not the long sentence -- Establish a pattern, then give it a twist -- Let punctuation control pace and space -- Cut big, then small -- Part two: SPECIAL EFFECTS: Prefer the simple over the technical -- Give key words their space -- Play with words, even in serious stories -- Get the name of the dog -- Pay attention to names -- Seek original images -- Riff on the creative language of others -- Set the pace with sentence length -- Vary the lengths of paragraphs -- Choose the number of elements with a purpose in mind -- Know when to back off and when to show off -- Climb up and down the ladder of abstraction -- Tune your voice -- Part three: BLUEPRINTS: Work from a plan -- Learn the difference between reports and stories -- Use dialogue as a form of action -- Reveal traits of character -- Put odd and interesting things next to each other -- Foreshadow dramatic events and powerful conclusions -- To generate suspense, use internal cliffhangers -- Build your work around a key question -- Place gold coins along the path -- Repeat, repeat, and repeat -- Write from different cinematic angles -- Report and write for scenes -- Mix narrative modes -- In short works, don't waste a syllable -- Prefer archetypes to stereotypes -- Write toward an ending -- Part three: USEFUL HABITS: Draft a mission statement for your work -- Turn procrastination into rehearsal -- Do your homework well in advance -- Read for both form and content -- Save string -- Break long projects into parts -- Take an interest in all crafts that support your work -- Recruit your own support group -- Limit self-criticism in early drafts -- Learn from you critics -- Own the tools of your craft -- PART FIVE: BONUS TOOLS: Take advantage of narrative numbers -- Express your best thought in the shortest sentence -- Match your diction to your writing purpose -- Create a mosaic of detail to reveal character -- Look for the &quot;inciting incident&quot; to kick-start your story.</subfield>
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   <subfield code="a">Roy Peter Clark distills decades of experience into 50 tools that will help any writer become more fluent and effective. This book covers everything from the most basic (&quot;Tool 5: Watch those adverbs&quot;) to the more complex (&quot;Tool 34: Turn your notebook into a camera&quot;) and provides more than 200 examples from literature and journalism to illustrate the concepts. For students, aspiring novelists, and writers of memos, e-mails, PowerPoint presentations, and love letters, here are 50 tools.</subfield>
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