The late work of Sam Shepard - Skelton, Shannon Blake (London Bloomsbury Methuen Drama, 2016)
Introduction -- "How many lives . . . within this one?": the performances of Sam Shepard -- "What's beyond authentic?": authenticity and artistry in Don't Come Knocking and Kicking a Dead Horse -- "One of us has forgotten": memory and trauma in Simpatico, The Late Henry Moss, and When the World was Green -- "I miss the Cold War so much": interrogating masculine and conservative narratives in States of Shock and The God of Hell -- "Surrounded by my primitive captors": hybridity and hegemony in Silent Tongue and Eyes for Consuela -- "Where's all the men?": Men, women, and homosociality in the late style of Sam Shepard -- Conclusion.
Includes bibliographical references (pages 239-252) and index.
Keywords: Shepard, Sam -- 1943- -- Criticism and interpretation