Critical approaches to the production of music and sound - Bennett, Samantha; Bates, Eliot (New York Bloomsbury, 2018)
The production of music and sound : a multidisciplinary critique -- I. Situating production : place, space and gender. Field recording and the production of place -- The poietics of space : the role and co-performance of the spatial environment in popular music production -- "An indestructible sound" : locating gender in genres using different music production approaches -- II. Beyond representation. Producing tv sries music in Istanbul -- Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian indigenous music / Karl Neuenfeldt -- III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet -- Technologies of play in hip-hop and electronic dance music production and performance -- IV. Technology and technique. Weapons of mass deception : the invention and reinvention of recording studio mythology -- Auto-tune in situ : digital vocal correction and conversational repair -- V. Mediating sound and silence. Listening to or through technology : opaque and transparent mediation -- Six types of silence -- VI. Virtuality and online production. Intermixtuality : case studies in online music (re)production -- Crowdfunding and alternative modes of production.
Keywords: Sound recordings -- Production and direction; Popular music -- Production and direction