| LEADER | 02317cam a22003494a 4500 | ||
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| 001 | UP-99796217612632101 | ||
| 003 | Buklod | ||
| 005 | 20171108152023.0 | ||
| 006 | a r |||| u| | ||
| 007 | s| u||||||u|u| | ||
| 008 | 171108s2005 xx d r |||| u| | ||
| 020 | |a 9780486442723 | ||
| 020 | |a 0486442721 | ||
| 035 | |a (iLib)UPD-00344414852 | ||
| 040 | |a OHIO |d DMUS |e rda | ||
| 041 | 0 | |a eng | |
| 090 | |a MT 50 |b C55 2005 | ||
| 100 | 1 | |a Chaikovskii, Peter Il'ich |d 1840-1893 |e composer | |
| 240 | 1 | 0 | |a Rukovodstvo k prakticheskomu izuchenii︠u︡ garmonii. |l English |
| 245 | 1 | 0 | |a Guide to the practical study of harmony |c Peter Ilyitch Tchaikovsky ; translated from the German version of P. Juon by Emil Krall and James Liebling. |
| 250 | |a Dover edition. | ||
| 264 | 1 | |a Mineola, N.Y. |b Dover |c 2005 | |
| 300 | |a 137 pages |b illustrations |c 22 cm. | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a unmediated |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 500 | |a "Unabridged republication of the edition originally published by P. Jurgenson, Leipzig, in 1900"--Title page verso | ||
| 505 | 0 | |a The triads of the major scale -- The connection of the triads of the major scale -- Connection of triads, showing no external agreement -- Deviations from rules governing the connection of related triads -- Harmonic sequences -- The harmony of the minor scale -- Open position -- The inversions of the triad -- The inversions of the diminished and augmented triads -- The dominant chord -- Free voice-leading -- The chord of the ninth -- Chords of the minor and diminished seventh -- The connection of dissonant harmonies resolving into the tonic triad -- Chords of sequence -- Chords of sequence in minor -- The harmonization of a given melody -- Direct modulation -- Transient modulation -- Harmonization of given melodies with modulations -- The enharmonic properties of the chord of the diminished seventh -- The organ-point -- Suspensions -- Anticipation -- Passing-notes -- Chords of the augmented fifth -- Chords of the augmented sixt Changing notes -- Strict part-writing -- The further development of voice-leading -- Harmonic figuration -- The free prelude -- Deviations from the laws of harmony -- Cadences (closes) | |
| 650 | 0 | |a Harmony. | |
| 905 | |a FO | ||
| 852 | 1 | |a UPD |b DMUS |h MT 50 |i C55 2005 | |
| 942 | |a Book | ||