Redefining mainstream popular music - Baker, Sarah 1977-; Bennett, Andy 1963-; Taylor, Jodie 1980- (New York Routledge, 2013)
Mainstream as metaphor : imagining dominant culture /Alison Huber -- Teenybop and the extraordinary particularities of mainstream practice /Sarah Baker -- Historicizing mainstream mythology : the industrial organization of The Archies /Matt Stahl -- Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music /Jodie Taylor -- The positioning of the mainstream in punk /Erik Hannerz -- Kill the static : temporality and change in the hip-hop mainstream (and its "other") /Murray Forman -- The contradictions of the mainstream : Australian views of grunge and commercial success /Catherine Strong -- Elvis goes to Hollywood : authenticity, resistance, commodification and the mainstream /David Baker -- Walking in Memphis? : Elvis heritage between fan fantasy and built environment /Mark Duffett -- "Following in mother's silent footsteps" :revisiting the construction of femininities in 1960s popular music /Sheila Whiteley -- Music from abroad : the internationalization of the US mainstream music market, 1940-90 /Timothy J. Dowd -- "Sounds like an official mix" : the mainstream aesthetics of mash-up production /Adrian Renzo -- Chasing an aesthetic tail : latent technological imperialism in mainstream production /Denis Crowdy -- The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia /Ian Rogers -- Off the beaten track : the vernacular and the mainstream in New Zealand tramping club singsongs /Michael Brown -- Musical listening at work : mainstream musical listening practices in the office /Michael Walsh -- Cheesy listening : popular music and ironic listening practices /Andy Bennett.
Includes bibliographical references and index.
Keywords: Popular music -- History and criticism; Popular culture