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   <subfield code="a">Thinking about movies</subfield>
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   <subfield code="a">xx, 474 pages</subfield>
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   <subfield code="a">Prof. Belinda Espiritu (Recommending faculty) - Bookfair 2019</subfield>
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   <subfield code="a">Includes bibliographical references and index.</subfield>
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   <subfield code="a">Introduction: Fatal attraction and Scarface -- Narrative structure: Jurassic Park and Rashomon -- Formal analysis: Rules of the game and The sixth sense -- Authorship: The searchers and Jungle fever -- Genres: Sin city and Gunfight at the OK Corral -- Series, sequels, and remakes: Goldfinger and King Kong (1933 and 2005) -- Actors and stars: Morocco and Dirty Harry -- Audiences and reception: A woman of Paris and The crying game -- Film and the other arts: Dr. Jekyll and Mr. Hyde (1933) and The girl with the dragon tattoo (2011) -- Film and its relation to radio and television: Richard Diamond, private detective, Peter Gunn, Victor/Victoria, 24, and Homeland -- Realism and theories of film: The battleship Potemkin and Umberto D -- Gender and sexuality: The silence of the lambs and American gigolo -- Race: Out of the past, LA confidential, and Boyz n the hood -- Class: Pretty woman and The people under the stairs -- Citizen Kane: an analysis -- Current trends: globalization and China, 3D, IMAX, internet TV.</subfield>
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   <subfield code="a">This book is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, technological, and industrial issues informing them.</subfield>
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