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  <controlfield tag="001">UP-8027390931311684574</controlfield>
  <controlfield tag="003">Buklod</controlfield>
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  <controlfield tag="006">m    |o  d |      </controlfield>
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   <subfield code="a">eng</subfield>
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   <subfield code="a">LG 993.5 2024 A7</subfield>
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   <subfield code="a">Pilarta, James Daniel C.</subfield>
   <subfield code="e">author.</subfield>
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   <subfield code="a">Socio-generative architecture</subfield>
   <subfield code="b">the Hip-Hop Youth Center as an urban youth development facility in Tondo, Manila</subfield>
   <subfield code="c">James Daniel C. Pilarta ; Simoun T. Ong, adviser.</subfield>
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   <subfield code="a">Quezon City</subfield>
   <subfield code="b">College of Architecture, University of the Philippines Diliman</subfield>
   <subfield code="c">June 2024.</subfield>
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   <subfield code="a">xv, 199 leaves, 42 unnumbered folded leaves of plates</subfield>
   <subfield code="b">illustrations (some color)</subfield>
   <subfield code="c">28 cm.</subfield>
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   <subfield code="a">text</subfield>
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   <subfield code="a">Include appendices</subfield>
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   <subfield code="a">Thesis (Bachelor of Science in Architecture) -- University of the Philippines Diliman</subfield>
   <subfield code="d">June 2024.</subfield>
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   <subfield code="a">The presence of children and youth who are not in education, employment, or training&#13;
in the Philippines is among the pressing concerns being faced today. The prevalent&#13;
reasons for this phenomenon are the inaccessibility of education, poverty, and lack of&#13;
interest, which are most observed in disadvantaged communities. As a complement to&#13;
bringing education closer to them, the lack of interest can be addressed through a&#13;
connective element that can teach trust, respect, independence, collaboration, and&#13;
discipline to the youth in such precarious conditions. Pinoy hip-hop can serve as this&#13;
link for Positive Youth Development (PYD). Its four (4) elements of rap, deejaying,&#13;
break-dancing, and graffiti could be used as the means of identity and social space&#13;
formation, leading to better communities. Hip-hop based practices have been used in&#13;
career readiness programs, leadership development, and in community development&#13;
work targeted towards at-risk youth. The resulting infrastructure is the Hip-Hop&#13;
Youth Center in Tondo, Manila. Tondo was chosen due to the presence of&#13;
impoverished communities, its unique hip-hop history, and the previous application of&#13;
Hip-Hop development programs by non-profit organizations for the at-risk youth in&#13;
the district. This facility shall provide a space for programs geared towards PYD,&#13;
serving also as a platform for local hip-hop artists to showcase their craft and&#13;
contribute to creative place making. The design approach is the Hip-Hop Architecture&#13;
framework by Cooke (2021), the spatial manifestation of hip-hop.</subfield>
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   <subfield code="a">Hip-Hop Youth Center.</subfield>
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   <subfield code="a">Youth centers</subfield>
   <subfield code="z">Tondo (Manila)</subfield>
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   <subfield code="a">Youth development</subfield>
   <subfield code="z">Tondo (Manila)</subfield>
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   <subfield code="a">Hip-hop</subfield>
   <subfield code="z">Tondo (Manila)</subfield>
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   <subfield code="a">Ong, Simoun T.</subfield>
   <subfield code="e">thesis adviser.</subfield>
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   <subfield code="a">Thesis</subfield>
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   <subfield code="a">UPD</subfield>
   <subfield code="b">DARC</subfield>
   <subfield code="h">LG 993.5 2024 A7</subfield>
   <subfield code="i">P55</subfield>
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   <subfield code="a">Thesis</subfield>
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