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   <subfield code="a">Malicsi, Jose Basil C.</subfield>
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   <subfield code="a">&quot;A Memorial for lola&quot;</subfield>
   <subfield code="b">an expression of self-identity from stitching memories of home</subfield>
   <subfield code="c">Jose Basil Calumpang Malicsi ; Mary Catherine Sta. Ana, adviser ; Florentina P. Colayco, thesis reader/critic.</subfield>
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   <subfield code="a">Quezon City</subfield>
   <subfield code="b">College of Fine Arts, University of the Philippines Diliman</subfield>
   <subfield code="c">2023</subfield>
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   <subfield code="a">v, 140 leaves</subfield>
   <subfield code="b">color illustrations</subfield>
   <subfield code="c">28 cm</subfield>
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   <subfield code="a">Thesis (Master of Fine Arts)--University of the Philippines Diliman</subfield>
   <subfield code="d">December 2023</subfield>
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   <subfield code="a">Bibliography: leaves 114-120</subfield>
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   <subfield code="a">Thesis Classification: P - This thesis is not available to the public. Please ask the library for assistance. </subfield>
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   <subfield code="a">Memorialization is a way to express, preserve, enhance and shape memory.&#13;
&#13;
The thesis utilizes my implicit memory of sewing both as a ritual and a meditative process to pay tribute to my late grandmother, incorporating hand-sewing techniques which I learned from her. The produced work embodies my explicit memory in the creation of a constructed representation of the home I shared with her in my childhood days. The artwork consists of a house-like installation of collage tapestries and soft sculptures of objects associated with my childhood memories.&#13;
&#13;
In the memorializing process, I was guided by three major themes, namely: memories, sewing, and retaso or fabric scraps. These served as my building blocks in constructing s memorial for my late grandmother. The work's significance lies in the use of personal materials and processes, as this enriches the discourse on memorializing, and deviates from the conventional ways of memorializing heroes. The thesis work uses intimate memories and materials that connect both the artist and the loved one being memorialized -- a person who is not famous, but is the artist's personal hero.&#13;
&#13;
The processes used in this artwork can be replicated by those who want to honor departed loved ones. Most importantly, the artist hopes to add a more spiritual dimension to hand-sewing as a source of personal healing for people who are dealing with the pain of losing somebody they love. Through the ritualistic and meditative sewing process, one is able to simultaneously thread happy memories into the reconstructed mementos of the loved one being memorialized.</subfield>
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   <subfield code="a">Memorialization.</subfield>
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   <subfield code="a">Retaso (fabric scraps)</subfield>
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   <subfield code="a">Sewing.</subfield>
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   <subfield code="a">Sta. Ana, Mary Catherine</subfield>
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   <subfield code="a">Colayco, Florentina P.</subfield>
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   <subfield code="h">LG 995 2023 F4</subfield>
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