00000nam a22000008i 4500 UP-1685675941131553973 Buklod 20251128084720.0 ta r |||| u| ta 251128s2021 enkal |rbf 001 0 eng| 9781350064911 (paperback) 21697972 DLC DMC rda eng DMLUC PN 4162 G88 2021 Gutekunst, Christina author. Voice into acting integrating voice and the Stanislavski approach Christina Gutekunst and John Gillett; illustrations by Dany Heck. Second edition. London Methuen Drama 2021. [xii], 316 pages illustrations 25 cm. text rdacontent unmediated rdamedia volume rdacarrier Includes bibliographical references and index. Part one : Laying the foundations. Introduction -- The Organic acting approach and the voice -- The Organic acting approach and the brain -- Part two : The Essential vocal six-and integrating acting into voice. Introduction and how to work -- Alignment-backbone of the action -- Breath-the great creative connector -- Centred onset of sound-the vocal identity of the actor -- Pitch range-the music of meaning -- Resonance-vibrating the experience -- Articulation-shaping thought and action -- Part three : Integrating voice into the organic acting process. Introduction and how it works -- Interval-receiving and responding -- Awareness, ease and focus -- The Action-given circumstances, interaction and objectives -- Seeing, sensing and feeling -- Embodied vocal action -- Character voice -- The Actor in the space -- Part four : Integrating voice in rehearsal and performance-putting it all together. Introduction and how it works -- Meeting the play and the character -- From impulse to action -- From action to form -- Warm-ups and integration of process -- Conclusion. "How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world. This updated edition contains: a new section on vocal embodiment of actions, new findings from neuroscience as evidence of the science behind the approach, more exercises and warm-up routines for training, pre-rehearsal and pre-performance. The authors create a step-by-step guide to explore how voice can: - Respond to our thoughts, senses, feelings, imagination and will - Fully express language in content and form - Communicate imaginary circumstances and human experience - Transform to adapt to different roles - Connect to a variety of audiences and spaces Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process"-- Provided by publisher. Elocution. Method acting. Voice culture. Gillett, John author. Heck, Dany illustrator. FO UPD DMC PN 4162 G88 2021 Book