00000nam a2200000 i 4500 UP-1685675941131553187 Buklod 20251103113932.0 ta r |||| u| ta 251103s2022 xxkado |rbf 001 0 eng| 9781474254908 (paperback) 21940882 DLC DMC rda eng DMLUC TR 899 L36 2022 Lambden, Julie author. Film editing emotion, performance and story Julie Lambden. London Bloomsbury Academic 2022. ix, 222 pages illustrations 27 cm. text rdacontent unmediated rdamedia volume rdacarrier Includes bibliographical references and index. Introduction -- Chapter 1: Moving pictures; the structuring of story and emotion -- Chapter 2: Montage -- Chapter 3: Strategies of persuasion: Study 1: Parallel tracks -- Chapter 4: Continuous time and space -- Chapter 5: Strategies of persuasion: Study 2: Subjective eyes -- Chapter 6: The expressive potential of the audio-visual dynamic -- Chapter 7: Strategies of persuasion: Study 3: Fascinating rhythms -- Chapter 8: Constructing a performance. Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making. Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world."-- Provided by publisher. Cinematography. Motion pictures Editing. FO UPD DMC TR 899 L36 2022 Book