00000nam a22000008i 4500 UP-1685675941131494545 Buklod 20231020165926.0 m |o d | cr ||||||||||| 231020s2020 nyu o b 001 0 eng 2019035762 781501334023 (hardback) 21144021 LC eng DLC rda DLC DMUS eng cc ML 3790 B56 2020 The Bloomsbury handbook of music production edited by Andrew Bourbon and Simon Zagorski-Thomas. 002 New York Bloomsbury Academic 2020. online resource txt rdacontent unmediated rdamedia volume cr rdacarrier Bloomsbury handbooks Includes bibliographical references and index. Part I. Background. Recorded Music / Simon Zagorski-Thomas ; Authenticity in Music Production / Mike Alleyne ; How to Study Record Production ; Carlo Nardi -- Part II. Technologies. From Tubes to Transistors : Developments in Recording Technology up to 1970 / Albin Zak III ; Transition : The History of Recording Technology from 1970 to the present / Paul Théberge ; How does vintage equipment fit into a modern working process? / Anthony Meynell -- Part III. Places. Recording Studios in the First Half of the 20th Century / Susan Schmidt-Horning ; Recording Studios Since 1970 / Eliot Bates -- Part IV. Organising the Production Process. Information (Inter)action and Collaboration in Record Production Environments / M. Nyssim Lefford ; Creative Communities of Practice : Role Delineation in Record Production In Different Eras and Across Different Genres and Production Settings / Tuomas Auvinen ; Pre-Production ; Mike Howlett -- Part V. Creating Recorded Music. Songwriting in the Studio / Simon Barber ; The Influence of Technology on Performance : Classical Perspectives / Amy Blier-Carruthers ; Welcome to the Machine : Musicians, Technology and Industry / Alan Williams ; Studying Recording Techniques / Kirk McNally and Toby Seay ; Materialising Identity in the Recording Studio / Alexa Woloshyn -- Part VI. Creating Desktop Music. Desktop Production and Groove / Anne Danielsen ; Bass and Heaviness in Dance Music / Robert Fink ; Maximum Sonic Impact : (Authenticity/Commerciality) Fidelity-Dualism in Contemporary Metal Music Production / Mark Mynett ; Desktop Production and Commerciality / Phil Harding -- Part VII. Post-Production. Audio Processing / Mike Exarchos and Simon Zagorski-Thomas ; Mixing / Andrew Bourbon -- Part VIII. Distribution. Producer Compensation in the Digital Age / Richard James Burgess ; Evolving Technologies of Music Distribution : Consumer Music Formats - Past, Present and Future / Rob Toulson ; Listening to Recorded Sound / Mark Katz ; Interpreting the Materials of a Transmedia Storyworld : Word-Music-Image in Steven Wilson's Hand. Cannot. Erase. (2015) / Lori A. Burns and Laura McLaren. A summary of current research on the production of stereo and mono recorded music"-- Provided by publisher. escription based on print version record and CIP data provided by publisher; resource not viewed. Popular music Production and direction. Sound recordings Production and direction. Sound Recording and reproducing History. Zagorski-Thomas, Simon editor. editor. Bourbon, Andrew. Print version The Bloomsbury handbook of music production New York : Bloomsbury Academic, 2020. 9781501334023 (DLC) 2019035761. FO UPD DMUS ML 3790 B56 2020 Book