00000cam a22000004a 4500 UP-1685675941123849561 Buklod 20100116125948.0 aa rb |||1 u| ta 021009s2002 mau r |||| u|eng d 0240804775 (iLib)UPTAC-00004091773 DMC UPVTC eng DMLUC PN 1996 D36 2002 Dancyger, Ken Alternative scriptwriting successfully breaking the rules Ken Dancyger and Jeff Rush. 3rd ed. Boston Focal Press c2002. xiv, 378 p. Table of Contents: Preface. Acknowledgements for the Third Edition. Acknowledgements. -- Chapter 1. Beyond the Rules -- Chapter 2. Structure -- Chapter 3. Critique of Restorative Three-Act Form -- Chapter 4. Counter-Structure -- Chapter 5. Narrative and Anti-Narrative: The Case of the Two Stevens: The Work of Steven Spielberg and Steven Soderbergh -- Chapter 6. Working with Genre I -- Chapter 7. Working with Genre II: The Melodrama and the Thriller -- Chapter 8. Working Against Genre -- Chapter 9. Reframing the Active/Passive Character Distinction -- Chapter 10. Stretching the Limits of Character Distinction -- Chapter 11. Main and Secondary Characters -- Chapter 12. Subtext, Action, and Character -- Chapter 13. The Primacy of Character Over Action: The Non-American Screenplay -- Chapter 14. The Subtleties and Implications of Screenplay Form -- Chapter 15. Character, History, and Politics -- Chapter 16. Tone: The Inescapability of Irony -- Chapter 17. Dramatic Voice/Narrative Voice -- Chapter 18. Digital Features -- Chapter 19. Writing Features -- Chapter 20. Rewriting -- Chapter 21. Adaptations from Contemporary Literature -- Chapter 22. Personal Scriptwriting: The Edge -- Chapter 23. Personal Scriptwriting: Beyond the Edge. -- Index. Gift-R.Rosales Motion picture authorship. Motion picture plays Technique. Creative writing. Rush, Jeff. Table of contents only https://drive.google.com/file/d/1vMJCmwPxS4IQwY9o1R8O8HIv_IZ5SZbq/view?usp=sharing FO Monograph UPTAC UPTAC PN 1996 D36 2002 Book