00000nam a22000004a 4500 UP-1685675941122118172 Buklod 20230822094645.0 m |o d | cr ||||||||||| 230822s2016 xxk o d eng d 9781317572022 (eBook) FA-90eb EBSCO International, Inc. P9,720.00 OCLC DCFA rda eng N 8825 E94 2016eb The Everyday practice of public art art, space, and social inclusion edited by Cameron Cartiere and Martin Zebracki. London Routledge 2016 1 online resource text rdacontent computer rdamedia online resource rdacarrier This is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. Offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century. Public art Social aspects. Cartiere, Cameron editor. Zebracki, Martin editor. Full text access requires UP Webmail login http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1100859 FO UPD DCFA Electronic Resource