00000nam a22000004a 4500 UP-1685675941122051277 Buklod 20240314105754.0 m |o d | cr ||||||||||| 230803s2017 enk o d eng d 9780822373629 (eBook) FA-105eb EBSCO International, Inc. P5,397.3 DLC DCFA rda eng TR 642 G63 2017eb Godeau, Abigail Solomon author Photography after photography gender, genre, history by Abigail Solomon-Godeau ; edited by Sarah Parsons. Durham Duke University Press Books 2017 1 online resource text rdacontent computer rdamedia online resource rdacarrier Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations. Photography Philosophy. Photography, Artistic. Feminism and art. Parsons, Sarah editor. Full text access requires UP Webmail login http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1486121 FO UPD DCFA Electronic Resource