00000nam a22000004a 4500 UP-1685675941122050774 Buklod 20240314105724.0 m |o d | cr ||||||||||| 230803s2016 nyu o d eng d 9781616894955 (eBook) FA-106eb EBSCO International, Inc. P1,347.3 DCFA rda eng NC 1000.5 D54 2016eb Digital design theory readings from the field edited by Helen Armstrong. First edition. New York Princeton Architectural Press 2016 1 online resource text rdacontent computer rdamedia online resource rdacarrier Design Briefs Digital Design Theory bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's carefully curated introduction to groundbreaking primary texts, from the 1960s to the present, provides the background necessary for an understanding of digital design vocabulary and thought.Accessible essays from designers and programmers are by influential figures such as Ladislav Sutnar, Bruno Munari, Wim Crouwel, Sol LeWitt, Muriel Cooper, Zuzana Licko, Rudy VanderLans, John Maeda, Paola Antonelli, Luna Maurer, and Keetra Dean Dixon. Their topics range from graphic design's fascination with programmatic design, to early strivings for an authentic digital aesthetic, to the move from object-based design and to experience-based design. Accompanying commentary assesses the relevance of each excerpt to the working and intellectual life of designers. Graphic arts Data processing. Commercial art Data processing. Armstrong, Helen editor. Full text access requires UP Webmail login http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1487290 FO UPD DCFA Electronic Resource