Orientalism in the narrative, music and myth of the amok in the 1937 film Zamboanga

Orientalism in the narrative, music and myth of the amok in the 1937 film Zamboanga

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Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/director Eduardo de Cas...

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Dades bibliogràfiques
Autor principal: Buenconsejo, Jose S. (Autor)
Format: Analytics
Idioma:English
Publicat: 2013.
Matèries:
Motion pictures > History.
Motion pictures > American influences.
Motion picture music > History and criticism.
Zamboanga (Film).
Accés en línia:https://forms.gle/KZjBv7aRtY6jiL5E9