00000cam a22000003i 4500 UP-1685594773861938295 Buklod 20130927143037.0 g||| | || || ta 180705s2012 xx a rb |001 0|eng d 9789715426664 (iLib)UPBAG-00011491476 BC-63729 Php750.00 DML BAG rda eng N 7485 P6 C363 2012 Cañete, Reuben Ramas 1966- author. Sacrificial bodies the Oblation and the political aesthetics of masculine representation in Philippine visual cultures Reuben Ramas Cañete. Quezon City University of the Philippines Press [2012]. xii, 380 pages illustrations 23 cm text rdacontent unmediated rdamedia volume rdacarrier Includes bibliographical references (pages[349]-366) and index. Introduction: Sacrificial thoughts -- Notes to the introduction -- Chapter one: Sacrificial passion -- The Pasyon as the sacrificial's organizing episteme -- From Pasyon to Oblation: Bocobo and Tolentino as high priests of passionate commemoration -- From the sacred to the profane: the Oblation ritualized -- Notes to chapter one -- Chapter two: Sacrificial logic -- Brothers fathering the Oblation -- Quezon, the nacionalista opportunist -- Palma, the enlightened liberal -- Bocobo, the ardent nativist -- Modernity and the gazes of confraternity: the Oblation as UP's blussed selves -- Notes to chapter two -- Chapter three: Sacrificial body -- The Oblation as aesthetic hybrid -- Tolentino's aesthetic habitus: from Malolos to Faura -- Birth of the Oblation -- From master to attendant: Tolentino, the Oblation, and the UP in Diliman -- Notes to chapter three -- Chapter four: The sacrificial and his others -- The "Officiating" university seal: raptor dominating -- The Oblation as UP seal: sacrificial emergent -- Conflicting icons: the raptor and the sacrificial -- Third parties: the tower, the parrot, the muse, and the rebel -- Notes to chapter four -- Chapter five: The ways of the sacrificial -- Reiterating the sacrificial: the campus Oblations --Re-making the sacrificial: the artist's Oblations -- Re-membering the sacrificial: the alumni"s Oblations -- Re-thinking the sacrificial: the student's Oblations -- Re-embodying the sacrificial: the performer's Oblations -- Noted to chapter five -- Conclusion: Sacrificial leavings -- Note to the conclusion -- Illustrations: Appendix A: Chart of editorial cartoons in the Philippine Collegian featuring the Oblation (1948-2007) - Appendix B: First page of handwritten score of Oblation by Eliseo Pajaro (1949) -- Appendix C: Youtube sited dedicated to the APO Oblation Run (December 2007) -- Works cited -- Index -- About the author. Art criticism Philippines. Masculinity in art. Oblation (Statue). Art and society. Male nude in art. FI UPBAG UPBAG-MAIN N 7485 P6 C363 2012 Book