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   <subfield code="a">Manalo, Jose M.</subfield>
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   <subfield code="a">Towards excellence in public speaking</subfield>
   <subfield code="c">by Jose M. Manalo.</subfield>
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   <subfield code="a">Quezon City</subfield>
   <subfield code="b">Communications Upgrade International</subfield>
   <subfield code="c">[1996]</subfield>
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   <subfield code="b">illustrations</subfield>
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   <subfield code="a">At head of title : Echoes of Henry Lee Irwin, S.J.</subfield>
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   <subfield code="a">&quot;Eloquence is for everyone&quot; -- Some basic facts in the Irwinian doctrine -- What public speaking is not -- What public speaking is -- Dynamic eloquence in speech delivery -- The four dimensions of the speech situation -- The elements of a speaker's success -- The important role of elocution -- The problem of individuality -- Observing &quot;The Irwin touch!&quot; -- Speech beginning with your entrance -- Your position in general -- Your sitting position -- Your rising position -- Your walking position -- When coming face to face with your audience -- When waiting for your audience to keep quiet -- Your behavior just before speaking -- Your poise and carriage -- The problem of stage fright -- If you are seated on the platform with other speakers -- Delivering your speech the Irwinian way -- How you should begin your speech -- How you should deliver main body of your speech -- How you should end your speech -- How you should react to audience reaction -- Motivating your audience -- Your honest-to-goodness attitude as a speaker towards your audience -- How your thoughts and feelings are transmitted effectively -- How you should handle unstressed words -- How you should center attention to important words -- Your phrasing for intelligibility -- Your pausing for effect -- How you should pause in your speech -- How you should make use of loudness -- Monotony of emphasis -- The quality of your voice -- The different ways of presenting speech -- When you deliver speech from memory -- When you read your speech -- When you are speaking impromptu -- When you are speaking extemporaneously -- How you should speak on radio or television -- Body language on the platform -- Your gesture as a important means of expression -- Gestures for different purposes -- Using suitable gestures -- Your gestures must involve your own body -- The gesture zones -- The timing of good gestures -- Irwin's technique for genuine gesture -- Illustrated observations, recommendations and admonitions -- The standing position -- The sitting position -- The walking position -- The &quot;Touch of Irwin&quot; in your physical expressions -- Gesturing of hands -- Special gestures which are good loaded with meaning -- Various facial expressions projecting meaning and feeling -- Speaking before the microphone or the lectern with important Irwin observations  -- Making words alive with meaning and feeling -- How we should make our own speeches -- The introduction of our speech -- The body of our speech -- The conclusion of our speech -- The important speech features to be careful about! -- The common fallacies used in arguments -- Using quotation in our speech -- The emotional appeal in our speech -- Other means of securing our interest -- The style of our speech -- Using acceptable English -- The difference between spoken and written styles -- Power of expression in our speech -- The use of questions in our speech -- Jargon in our speech -- Forceful language -- The classification of speeches-- The short speeches for special occasions -- Some important distinctions on the delivery speeches -- Criteria for the judges of oratorical contents -- Irwin's &quot;Ten Commandments&quot; for effective speech delivery -- Selected speeches containing incendiary thoughts and words that can set speakers aflame with dynamics eloquence -- &quot;And god may have mercy on your soul&quot; -- &quot;I demand death!&quot; -- &quot;If he didn't go that way&quot; -- &quot;Let's to grips with fear&quot; --  &quot;I will pursuit until I succeed!&quot; --  &quot;I am nature's greatest miracle!&quot; --  &quot;I will greet this day with love in my heart&quot;  -- To do what must be done! --  &quot;Help this humble man, o God!&quot; --  &quot;We get what we give!&quot; -- In each moment, a taste of eternity -- The eloquence of little things -- &quot;I will act now!&quot; -- &quot;The forgotten image of man -- The greatest work of God's hand -- Rial cried out: &quot;Where are the youth?&quot; -- The vision worth fighting and dying for! -- &quot;I am looking for a Filipino&quot; -- &quot;Let us be true to ourselves!&quot; -- Are we the lost generation? -- We have become untrue to ourselves -- &quot;Let us reappraise ourselves!&quot; -- &quot;It is our destiny to be the great people&quot; -- The end of hope for the Filipino -- Let's stop talking; let's act now! -- Graft and corruption: the two headed monster -- &quot;I'm sick and tired of it all!&quot; -- The last empire is the empire of man -- &quot;So that you can learn to live!&quot; -- &quot;I am a Filipino&quot; -- The soldier: the beacon that will light our world -- The heroism of Bataan! -- Can there be peace without order? -- &quot;We can always begin again!&quot; -- Bloody but unbowed! -- Such a love is indestructible -- Woman! the mystery of life! -- &quot;I will live this day as if it my last!&quot; -- We are too intellectual for our own good! -- To be old and to remember -- Desiderata (What we ought to long for) -- Youth is more than just being young -- &quot;Look ahead... reach out!&quot; -- Is the Filipino in perpetual pain? -- After EDSA, the dream goes on! -- The spirit... the faith -- &quot;Hold your tongue!&quot; -- &quot;I stand not high... but alone!&quot; -- &quot;My nose is rather large! is that all? -- &quot;Now let me die... having lived!&quot; -- We can well whisper: &quot;We have not lived in vain!&quot; -- It's nice to be told! -- Let there be love on earth -- The magnificent failure -- &quot;Angles and ministers of grace defend us!&quot; -- &quot;O that this too, too solid flesh would melt&quot; -- &quot;I will tell you why&quot; -- &quot;Now I am alone&quot; -- &quot;To be or not to be&quot; -- &quot;Speak the speech I pray you&quot; -- &quot;Now might I do it.. now he is praying&quot; -- &quot;How all occasions do inform against me&quot; -- Remedial drills on the sound of English -- Afterword.</subfield>
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