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   <subfield code="a">Gomez-Peña, Guillermo.</subfield>
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   <subfield code="a">Ethno-techno</subfield>
   <subfield code="b">writings on performance, activism, and pedagogy</subfield>
   <subfield code="c">Guillermo Gomez-Pena ; edited by Elaine Pena.</subfield>
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   <subfield code="a">Writings on performance, activism, and pedagogy.</subfield>
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   <subfield code="a">New York</subfield>
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   <subfield code="c">2005.</subfield>
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   <subfield code="a">xxvi, 304 p.</subfield>
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   <subfield code="c">24 cm.</subfield>
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   <subfield code="a">Includes bibliographical references and index.</subfield>
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   <subfield code="a">Track One: Introductory essays and chronicles -- 1. On the other side of the Mexican mirror -- 2. In defense of performance -- Intro. -- The cartography of performance -- Turning the gaze inward -- Performance vis-a-vis theater and the art world -- Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre -- 4. An open letter to the national arts community.</subfield>
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   <subfield code="a">Track Two: Pedagogy: a useful guide to the Pocha method -- 5. Crosscontamination: the performance activism and oppositional art of La Pocha Nostra --6. La Pocha Notra's basic methodology.</subfield>
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   <subfield code="a">Track Three: Performance radio -- 7. Letter to an unknown thief -- 8. HSAC-TV: the home-shopping art channel -- 9. The imaginary effects of a trans-American Free-Trade Zone -- 10. A sad postcard from San Francisco, Chilicon Valley -- 11. Postcards from Alaska: a chilling tale of performance artists in the snow / Guillermo Gomez-Peña and Silvana Straw -- 12. Touring in times of war -- 13. On dual citizenship -- 14. My evil twin -- 15. Saddam in Hollywood -- 16. Frida lite or fat-free dah.</subfield>
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   <subfield code="a">Track Four: Performance literature: for the stage and cyberspace -- 17. Brownout 2 -- 18. Twenty-first-century Chicano newcast -- 19. American's most wanted inner demon -- 20. A declaration of poetic disobedience from the new border -- 21. Helpful performance tips on how to avoid xenophobia and express solidarity with innocent Arab-Americans after 9/11 / Guillermo Gomez-Pea and Elaine Katzenberger -- 22. The post-9/11 &quot;rights and privileges&quot; of a US citizen.</subfield>
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   <subfield code="a">Track Five: Conversions with theories -- 23. Theatricalizations of postcolonial theory: a Colombian a Chicano performance artist / Eduardo Mendieta and Guillermo Gomez-Pena -- 24. The minefields of Utopia: a dialogue on the dangers of artistic collaboration / Lisa Wolford and Guillermo Gomez-Pena -- 25. The minefields of Dystopia: the pervasive effects of 9/11 / Lisa Wolford and Guillermo Gomez-Pena -- 26. Loose ends: the fluid borders between author and editor / Elaine Pena and Guillermo Gomez-Pena.</subfield>
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   <subfield code="a">Gëomez-Peña, Guillermo.</subfield>
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   <subfield code="y">20th century.</subfield>
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   <subfield code="a">Mexican American art.</subfield>
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   <subfield code="a">Politics in art.</subfield>
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   <subfield code="a">Minorities in art.</subfield>
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   <subfield code="a">Art and race.</subfield>
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   <subfield code="a">Peäna, Elaine.</subfield>
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