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   <subfield code="a">The &quot;new&quot; cinema in retrospect -- Creations -- Three careers -- Directors-editors -- Maryo J. and Mr. de los Reyes -- Persistence of vision -- Cool film -- Long flight -- Indigenous ingenuity -- No end in sight -- Head held high -- Speculations -- Family affairs -- Sequacious and second-rate -- Woman-worthy -- Demachofication --Men and myths -- Ma(so?)chismo -- I.O.U. -- Mudslung -- Movable fists -- Class clamorers -- Sedulously Cebuano -- Positions -- ASEAN affair -- Carnival cinema -- Classroom, as theater -- Film critics speak -- Shooting crap -- Fleshmongering -- Firmament occupation -- Record-breaking rules -- Worth the while -- Ten best Filipino films up to 1990 -- One-shot award ceremony -- Afterpiece: the last of Lino -- Glossary of Philippines movie titles.</subfield>
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   <subfield code="a">Fields of Vision: Critical Applications in Recent Philippine Cinema marks a departure from previous book-length approaches to Philippine film criticism in its scholarly application of modernist principles. Such issues as auteurism, structuralism, and spectatorship are pursued with the view of testing their usefulness for Philippine cinema, instead of dismissing them in the wake of more recent methodologies.&#13;
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The longer critical essays in the anthology tend to encompass Philippine film history, while the reviews concentrate on recent and still-available titles. Asserting that film has long been serving the function of a unifying national language, Fields of Vision is marked by its author's appreciation for the popular, concern for issues of quality, and acknowledgment of the far-reaching and continuing impact of film on the Philippine way of life.</subfield>
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