Unmarked the politics of performance - Phelan, Peggy (London routledge, 1993)
Broken symmetries: memory, sight, love -- Developing the negative: Mapplethorpe, Schor and Sherman -- Spatial envy: Yvonne Rainer's The man who envied women -- The golden apple: Jennie Livingstone's Paris is burning -- Theatre and its mother: Tom Stoppard's Hapgood -- White men and pregnanacy: discovering the body to be rescued -- The ontology of performance: representation without reproduction -- Afterwards: notes on hope.
Keywords: Arts -- Political aspects; Politics in art; Feminism and the arts; Performance art; Arts, Modern -- 20th century