00000nam a22000004a 4500 UP-1685594773860414193 Buklod 20240314103815.0 t rm |||| ud cr ||||||||||| 230607s2018 gw o d eng d 9783839433973 (eBook) FA-136eb EBSCO International, Inc. P3,233.45 DCFA rda eng N 72 G55 S58 2018eb Situating global art topologies, temporalities, trajectories edited by Sarah Dornhof, Nanne Buurman, Birgit Hopfener and Barbara Lutz. Bielefeld transcript Verlag 2018 1 online resource text rdacontent computer rdamedia online resource rdacarrier Image, volume 89 In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception. Art and society Congresses. Art and globalization Congresses. Dornhof, Sarah editor. Buurman, Nanne editor. Hopfener, Birgit editor. Lutz, Barbara editor. Full text access requires UP Webmail login http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1867185 FO UPD DCFA Electronic Resource