Narrative, apparatus, ideology a film theory reader - Rosen, Philip (New York Columbia University Press, 1986)
Classical Hollywood cinema: narrational principles and procedures / David Bordwell -- Problems of denotation in the fiction film / Christian Metz -- Segmenting/analyzing / Raymond Bellour -- The obvious and the code / Raymond Bellour -- The spectator-in-the-text: the rhetoric of Stagecoach / Nick Browne -- Godard and the counter-cinema: Vent d'Est / Peter Wollen -- The concept of cinematic excess / Kristin Thompson -- Uncoded images in the heterogeneous text / Deborah Linderman -- Diderot, Brecht, Eisenstein / Roland Barthes -- Theory and film: principles of realism and pleasure / Colin MacCabe -- Visual pleasure and narrative cinema / Laura Mulvey -- Voyeurism, the look, and Dwoskin / Paul Willemen -- Suture (excerpts) / Kaja Silverman -- Ellipsis on dread and the specular seduction / Julia Kristeva -- The imaginary signifier (excerpts) / Christian Metz -- Ideological effects of the basic cinematographic apparatus / Jean-Louis Baudry -- The apparatus: metapsychological approaches to the impression of reality in cinema / Jean-Louis Baudry -- The silences of the voice / Pascal Bonitzer -- The voice in the cinema: the articulation of body and space / Mary Ann Doane -- Acinema / Jean Fran?cois Lyotard -- Through the looking-glass / Teresa de Lauretis -- Narrative space / Stephen Heath -- Technique and ideology: camera, perspective, depth of field (parts 3 and 4) / Jean-Louis Comolli -- John Ford's Young Mr. Lincoln / Editors of Cahiers du cin?ema -- Primitivism and the avant-gardes: a dialectical approach / NoËel Burch -- Film body: an implantation of perversions / Linda Williams -- Primary identification and the historical subject: Fassbinder and Germany / Thomas Elsaesser.
UCASM-1405 (UCASM001405)
Includes bibliographies.
Keywords: Motion pictures -- Philosophy; Cinema films -- Theories