A Critical consideration of the use of trauma as an approach to understanding Korean cinema.
A number of reasons have been forwarded to explain the emergence and current dominance of the Korean Wave in film, as well as the larger phenomenon of Hallyu, the term by which the popular-culture Korean wave has been known. Most of these accounts for the New Korean Cinema, the filmic equivalent of...
| الحاوية / القاعدة: | Asian Studies Vol. 50, no. 1 (2014), 1-35 pages |
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| المؤلف الرئيسي: | |
| مؤلفون آخرون: | |
| التنسيق: | مقال |
| اللغة: | English |
| منشور في: |
2014
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| الموضوعات: |