Orientalism in the narrative, music and myth of the amok in the 1937 film Zamboanga
Since the occupation of the Philippine Islands by the U.S. in 1899, Americans have viewed the Moslems of Mindanao as civilized yet aggressive. This orientalist-colonialist gaze is manifested in the film Zamboanga, a Filipino-American project directed by Filipino mestizo actor/director Eduardo de Cas...
| Vydáno v: | Plaridel Vol. 10, no. 1 (Feb. 2013), 30-49 |
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| Médium: | Článek |
| Jazyk: | English |
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2013
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