Parodic hybridity in Francisco Buencamino Sr.'s music for the film Ibong Adarna (1941)
This paper discusses the organic unconscious hybridity characterizing the folklike appropriation that Francisco Buencamino Sr. and Jr. exhibited in composing the musical score of the 1941 LVN film Ibong Adarna. This extant Filipino film is an adaptation of the folk epic Ibong Adarna, which was writ...
| Wydane w: | Asian Studies Vol. 47, no. Special Issue (2011), 29-62 |
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| Format: | Artykuł |
| Język: | English |
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2011
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| Hasła przedmiotowe: |