Résultat(s) 1 - 10 résultats de 14 pour la requête 'Santos, Dexter M.', Temps de recherche: 0,01s Affiner les résultats
  1. 1

    Pagganap bilang Reyna Kunti sa dulaang musikal na Ang Nawalang Kapatid (adaptasyon ng epikong mahabharata) gamit ang technique sa pag-arte ni Stella Adler par Rostata, Ronah Adiel R.

    Publié 2015
    Thèse

    Pagganap bilang Reyna Kunti sa dulaang musikal na Ang Nawalang Kapatid (adaptasyon ng epikong mahabharata) gamit ang technique sa pag-arte ni Stella Adler
  2. 2

    Mirroring realities a reflection of the pursuit of liberation in directing Makinal, Eljay Castro Deldoc's Filipino adaptation of Sophie Treadwell's Machinal par Hooshmand, Mary Donna Nour M.

    Thèse

    Mirroring realities a reflection of the pursuit of liberation in directing Makinal, Eljay Castro Deldoc's Filipino adaptation of Sophie Treadwell's Machinal
  3. 3

    Searching for the truth in Keiko applying the sanford meisner approach in portraying actress d in dulaang UP's the dressing room: that which flows away ultimately becomes nostalgia par Madamesila, Marynor Therese G.

    Thèse

    Searching for the truth in Keiko applying the sanford meisner approach in portraying actress d in dulaang UP's the dressing room: that which flows away ultimately becomes nostalgia
  4. 4

    Creating the visual world of UP dulaang laboratoryo's makinal, Eljay Castro Deldoc's filipino adaptation of machinal by Sophie Treadwell through Salvador Bernal designs the stage a... par Tansiongco, Steven G.

    Thèse

    Creating the visual world of UP dulaang laboratoryo's makinal, Eljay Castro Deldoc's filipino adaptation of machinal by Sophie Treadwell through Salvador Bernal designs the stage and J. Michael Gillette's design process
  5. 5

    Commedia Doble Cara pagtuklas sa dalawang maliliit na babaeng pagganap sa isang Commedia dell'arte sa pamamagitan ng pagkamit ng likas na gawi mula sa pormalistikong pagsusuri ng i... par Eriguel, Cara Michel Anjelica C.

    Thèse

    Commedia Doble Cara pagtuklas sa dalawang maliliit na babaeng pagganap sa isang Commedia dell'arte sa pamamagitan ng pagkamit ng likas na gawi mula sa pormalistikong pagsusuri ng iskrip.
  6. 6

    Collaboration in theatre and giving life to the role of La Hermana Augusta Beata in Dulaang UP's collection par Villanueva, Joan Kristine J.

    Thèse

    Collaboration in theatre and giving life to the role of La Hermana Augusta Beata in Dulaang UP's collection
  7. 7

    Applying Uta Hagen's acting technique in building the character Actress D in Dulaang UP's the Dressing Room that which flows away ultimately becomes nostalgia par Ignacio, Paulina Maxine Makil

    Abstract
    Thèse

    Applying Uta Hagen's acting technique in building the character Actress D in Dulaang UP's the Dressing Room that which flows away ultimately becomes nostalgia
  8. 8

    Aplikasyon ng Meisner technique sa pagganap bilang Matandang Lalaki at Estyudante sa Mga dulang absurdo na The Chairs at The Lesson ni Eugene Ionesco na isinalin sa Filipino, Ang m... par Aviles, Rowald Terrence O.

    Abstract
    Thèse

    Aplikasyon ng Meisner technique sa pagganap bilang Matandang Lalaki at Estyudante sa Mga dulang absurdo na The Chairs at The Lesson ni Eugene Ionesco na isinalin sa Filipino, Ang mga Upuan at Ang Leksyon
  9. 9

    Ang Aplikasyon ng malikhaing imahinasyon ni Stella Adler sa Ionesco dalawang dula sa pagganap bilang matandang babae sa dulang Ang mga Upuan at Propesor sa Ang leksyon par Benitez, Johnne Paula G.

    Abstract
    Thèse

    Ang Aplikasyon ng malikhaing imahinasyon ni Stella Adler sa Ionesco dalawang dula sa pagganap bilang matandang babae sa dulang Ang mga Upuan at Propesor sa Ang leksyon
  10. 10

    Portraying the roles of Cassandra, Electra, and Apollo using Stella Adler's techniques of given circumstances, imagination, and building action in an adaptation of Aeschylus' Orest... par Camacho, Rose Charmaine P.

    Abstract
    Thèse

    Portraying the roles of Cassandra, Electra, and Apollo using Stella Adler's techniques of given circumstances, imagination, and building action in an adaptation of Aeschylus' Oresteia

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